The Total Sound Of The Undergound

Lelahel Metal

Transgalactica’s 'Liberal Anthem' blends progressive rock grandeur with Steven Pinker’s philosophy, fusing politics, spirituality, and emotion into music that challenges populism while celebrating humanism, hope, and the better angels of our nature.

1. “Liberal Anthem” is based on Steven Pinker’s reflections in Enlightenment Now. What was it in his words that pushed you to actually create the “church of liberalism” he cautioned against?
Pinker did come up with this idea and although he advised against it, he offered it as a solution to a real problem, namely the “thinness” of liberalism as an ideology. The populists, both from the right and the left, make a strong appeal to human emotions, and although they are mostly negative emotions such as fear, chauvinism, resentment, hatred and envy, they have the power of moving people’s hearts and win elections for the populists. In Poland we have a saying that liberalism is the offer of “hot water in the tap”, which paradoxically leaves people cold. The church of liberalism as an idea floating in the public awareness has its drawbacks, such as offending religious sensibilities, but we hope it will move people to perceive liberalism as something worth fighting for.

2. The lyrics highlight the liberal idea as noble, humanistic, and pro–human rights. Do you see the song as a manifesto, a celebration, or more of a provocation?
A little bit of all three, but first of all as a celebration (perhaps every anthem is a celebration).

3. The piece combines a strong guitar riff with sections that reminded early listeners of Marillion. Was this resemblance intentional, or a natural outcome of your influences?
It was to some extent intentional and resulted from the choice of keyboards.

4. Towards the end, the song shifts from minor to major, giving it a hopeful, almost triumphant tone. Why was this modulation important for the message?
It is a cliche and perhaps a simplification, but the minor key is more sombre and dramatic, while the major key is more hopeful and joyful, so this just reflects the shift in the mood.

5. You’ve mentioned that the anthem section is loosely inspired by All Tomorrow’s Parties by Velvet Underground. How did you approach adapting such a minimalist piece into your own grander, symphonic style?
What we borrowed and transformed was the riff, that is a short melodic and rhythmic theme, and a riff can be used for many types of music without imposing many constraints on the style and everything else.

6. The “hard-rock” anti-populist part is inspired by the 16th-century Polish song Hej żeglujże, żeglarzu. How do you balance weaving folk or historical elements into progressive rock without losing cohesion?
See the answer to question 5.

7. Your dream is to have Jon Anderson from Yes sing the anthem part. Why is he the ideal voice for this vision?
Because it is excluding goodwill, joyfulness, love of humanity and general benevolence. We think angels in heaven are envious of him.

8. Transgalactica is a father-and-son band. How does that dynamic shape the creative process - musically and personally?
Tomasz the father does the lyric-writing and composing, while Filip comes in towards the end of the process to play and/or invent the guitar parts and to write the guitar solo if there is one. As for the personal sphere, the musicmaking makes the abysmally deep bond between us ever so slightly deeper.

9. Your music draws from both progressive rock giants like Genesis, Yes, and King Crimson, and classical composers like Bach and Sibelius. How do you fuse these worlds into something that feels modern?
As our producer Ignacy Matuszewski likes to say, all music is music, making use of the same twelve notes, the same chords, harmonies, scales, rhythms and all. We like to think that if the old musical masters were alive today, they would be composing symphonic rock (Ignacy thinks this idea sacrilegious).

10.Lukky Sparxx, your vocalist from Chile, adds another layer of international flavor to the project. How did this collaboration come about, and what does he bring to the sound?
We started off with Tomasz doing the vocals, but they were quite terrible and apart from some marketing mistakes, this prevented us from getting our musing across to a wider audience. We found Lukky on Fiverr and we are absolutely delighted with his singing. He adds what was intended to be there in the first place, but Tomasz just didn’t have the voice for it: power, drama, mystery, dark tone, energy.

11. Your debut album is titled Better Angels. What does that phrase mean to you in the context of your music and message?
The phrase “better angels of our nature” was first used by Abraham Lincoln in his First Inaugural Address on March 4, 1861, as an appeal to rise above divisions during a time of great national strife. Steven Pinker used it as a title of his novel about the decline of violence, suggesting that the better angels of our nature were starting to prevail. We shortened it to better angels and we use it both descriptively, to say that on the whole people are getting less violent, more emphatic, more generous, kinder, more helping et cetera, and prescriptively, to say that values based on the better angels of our nature, rather than on fear, hatred, resentment and envy, are the way forward.

12. Finally, do you see “Liberal Anthem” and the album as primarily political statements, or are they more spiritual explorations dressed in political themes?
The truth is that Tomasz wanted to write progressive rock music and he had to find the subjects to write music about, and he decided that it would be best to write about things he cared about. Since 2015 he had been calling himself a Pinkerian and chose to draw on themes from Pinker, although not exclusively, because the themes of Marginal Music (the dire situation of music artists in the age of streaming), Joyce Of The Market (a tribute to new Ireland) and Sibelian Eclipse (a comparison between Anders Chydenius and Karl Marx as representatives of liberal and leftist thinking) are not to be found in Pinker’s books. We try to be realistic and think that our music will at best be enjoyed by the listeners, but of course we would be delighted if the message contained in it made an impact.

Transgalactica

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TRANSGALACTICA INTRODUCED

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