The Total Sound Of The Undergound

Lelahel Metal

Re:O return with their ninth single, “Crimson Desire”, a powerful track blending heavy riffs, vampiric imagery, and emotional depth. In this interview, the band reflects on growth, creativity, and their evolving sound.

1. “Crimson Desire” is your 9th single. What does this release represent in the overall journey of Re:O so far?
Rio- Realisation. It’s hard to describe our sound but this song made us realised what kind of music we are going for

James - progression and determination, we've learnt a lot and been through a lot together as a band, this song and it's reception has shown to me at least how much we've learnt, developed and refined our sound and grown as a band and individual musicians.

Jay - i agree with James, these series of songs were all recorded at the same time back to back and i feel that we have grown and learned how we all play and what each member brings to the whole sound of Re:O

2. The song explores ambition and the hunger for more, conveyed through vampiric imagery. What inspired you to use vampirism as the metaphor for this story?
James - Me and Rio were playing Baulders Gate 3 whilst wracking our brains on what conveyance we wanted this story to be by and there walks in Astarion, one of the most lovely characters on the game. And it just clicked, vampirism. That's how we decided it and it works perfectly.

Rio- I always start writing sound not lyrics nor vocal Melodies. I didn’t think about the vampirism at all and I didn’t see that great idea coming! It’s a clever idea that we use the vampirism as a metaphor for this song. It’s a perfect match for this song vibes. If we didn’t play the game at that time, this song might have had a different metaphor.

3. Compared to your earlier singles, this track leans more on raw, heavy guitar riffs rather than your signature Japanese-style synths. What led you to shift the focus in this direction?
Rio- I don’t think we did it on purpose. We always try to keep everything harmonised which means we keep balances between each instrument. A tricky point is that we have some synth layers so we need to be careful when we put other instruments so a song can have grooves. We just felt the great vibes when we heard this idea so we decided to work on it.

James - There really isn't a thought process that is in depth about it. Honestly it's as simple as ‘do we like how it sounds?’ Yes, so we continue working on it and refine it. If by the end we'd add it to our personal playlists then it'll be recorded and released.

Jay - like any band by the time anyone hears our songs , we have played them a thousand times over and over, and if you see us play and the energy we all put into our performance just goes to show how we all feel collectively in the music that we write

4. Rio’s vocal delivery balances aggression with calm calculation. How did you approach crafting a performance that feels both intense and restrained at the same time?
Rio- I mostly pay attention on words, meaning and change tones depends on words and emotions I’m trying to highlight. In my opinion, vocals should have several tones so you can express your emotion. For example, when I try to express anger, I would sing with a little bit of a sharp tone so I did it in several sections for verse and chorus on Crimson Desire. As you see, I sing like I'm depicting the world and telling people unknown stories. Otherwise, the world a song creates would be ruined and destroyed which isn’t beautiful as art.

5. The track was co-written lyrically by Rio Suyama and James Wright. Can you walk us through the writing process and how the lyrical themes developed?
James - Me and Rio work closely together on the lyrics. It always starts with us deciding what story we want to tell. From there we decided on a metaphor and then it's a lot of back of forth of writing the lyrics until we're happy it's poetic, leave rooms for interpretation but also has a clear story that's being told. I focus on the English lyrics and Rio brings the Japanese.

Rio- We share stories what we want to tell the world through songs. We give ideas each other and try to figure out what story would fit to a song. I often struggle writing the lyrics so I often ask James if the lyrics makes sense etc. It’s really hard to tell him Japanese lyrics since it cannot be translated directly and simply from Japanese to English. But when we mix Japanese x English lyrics, I think we’re really good about it.

6. With Simon Jackson joining you on production, what new dynamics or perspectives did he bring to the track?
Rio- He is a great producer and I really look forward to working with him again. He’s not a normal producer, he understood what each song should go forward and brought some great ideas that we didn't think of to bring our songs to the next level. When you are the main character for a project, you need some advice from a third person because they can see art with fresh ears and eyes.

Jay - i really enjoyed working with Simon like Rio said, he makes you feel at easy and totally understood that our direction was on the last project and can not wait to get back into the recording studio with him again sson.

7. Re:O has always blurred the lines between J-pop, dark pop, and modern metal. Do you feel “Crimson Desire” pushes the band deeper into the metal world, or is it simply another layer in your evolving sound?
James - I think it's another layer. The synths were dialed back here because well it sounded good. The synths are important to our sound but as you've heard from Ronin, Violets, The Haunted, GUILD and Crimson desire we have a sense of heavy riffs but complimented by Rios vocals and poppier synths and song structures. Some songs we write are quite poppy like GUILD others are heavy like Crimson Desire, it really depends how we're feeling at the time and the feel of the song itself. We'll continue writing like having some poppier songs, some heavy ones and some in between because we love this genre bending blend.

Rio- I don’t think we sound just metal. We might have opened the door for a heavier sound but as James said, I believe it’s another layer. We keep on experimenting with heavy guitar riffs and synth. We work on songs based on my idea but I always come up with random stuff. Sometimes it’s popy, sometimes it’s super heavy. We try to work on interesting music with the magic of synth!

8. The instrumentation feels aggressive, but the story feels methodical rather than impulsive. How important was it for you to capture that balance in both the music and lyrics?
James - Extremely. We're trying to convey our determination whilst not coming across as arrogant. The lyrics also double up as a warning. Let determination drive you to achieve your dreams but don't let it over take you and consume you, that is a dangerous and toxic place to be.

Rio- For James and me, lyrics are important roles as a part of art and help people understand the story a song tells. We’re trying to express frustration in a more poetic way.

Jay - like Rio and James said there needs to be a balance, from myside i wanted to focus more on the lower tones for this song so thats why i change my tonality to be higher at some sections whilst keeping the lower toms ends to keep the darker side of the song.

9. Colin Van Dongen created the artwork for this release. How does the visual aesthetic tie into the dark energy of “Crimson Desire”?
James - Complete accident. It was actually one of the options we had to use for Ronin's artwork but it ended up just being perfect for crimson desire.

Rio- It was actually for Ronin artwork but we liked this picture and decided to use it for Crimson Desire. The girl in the artwork is pale and looks mysterious… We thought it was a great match!

Jay - working with Colin was such an amazing experience, we gave him the brief of what we were looking and he came up with several ideas and images which became the bases of all 4 of our releases.

10. You’ve been consistently releasing singles over the years. Is “Crimson Desire” part of a bigger project, such as an upcoming album or EP, or will you continue focusing on standalone singles?
Rio- For now, we are planning to release more singles as we can’t afford the payment to record an album or EP even though we eagerly would love to. Unfortunately our finances are very tight and our heart gets hurt every time we hear from our fans that they would love to hear that too. Hopefully we can release an EP and Album one day.

James - An album we'd love to do but unfortunately it's extremely expensive and we are fully self funded and we all have our own families and responsibilities outside of Re:O. I think we'll continue as we are until we're able to really put in the finance needed to give you all a high quality album that you'd expect.
Jay - i think we are all on the same page EP Album yes…. But this industry is very money driven and things ant’ cheap.

11. Looking at your live shows, how do you envision performing “Crimson Desire” on stage compared to your past material?
James - now that would be saying too much! I’d suggest if you want to find up you should come see us live 13/09/25 at the Fiddlers Elbow, Camden

Rio- it might sound like we are cheeky but we need to be because it’s a top secret! Only you can experience it when you come to our show.

12. Finally, after this release, where do you see Re:O heading creatively? Should fans expect an even heavier direction, or more experiments in blending genres?
James - A mixture. We write what sounds good to us and what we'd add to our own playlists. Sometimes that's heavy, sometimes that's GUILD. We'll definitely be keeping the high energy genre blending Synths and heavy riffs people seem to love, but that won't stop us branching out and experimenting.

Rio- Some songs might be dark pop like GUILD. Some songs might be heavier than Crimson Desire. It depends on what songs we want to work on. We always choose what we believe is cool. I don’t think we will change our style with Synth and heavy riffs but perhaps more cyberpunk style would be cool.

Jay - Keep your eyes plead and check out the socials as you never know what will be coming next….

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